Books I Love is a weekly feature hosted by Nyx Book Reviews where a guest blogger can gush about his or her favourite genre of choice.
This week's Books I Love guest blogger:
Pavarti about Sci-fi!
I don’t like Star Wars.
I tolerate Star Trek (mostly because of my love of The Shat)
So when I say I am in love with science fiction few people understand how that’s possible. Well as much as those two iconic franchises’ happen in space there’s not much science in either of them; really they are more correctly classified as general fiction. Hey, stop throwing things at the screen and hear me out!
The fundamental issue is that so few people understand what sci-fi actually is. There have been thousands of books listed as sci-fi which under the true definition don't remotely resemble pure science fiction.
This confusion happens most commonly with the fantasy genre. Somehow fantasy and sci-fi have become interchangeable for so many that the differences are blurry; however, there is a clear and solid line separating them. Sci-fi is possible. Fantasy is not.
In the words of L. Ron Hubbard: “...science fiction, to be credible, has to be based on some degree of plausibility; fantasy gives you no limits at all.”
This is an incredibly important distinction. In sci-fi there are no wizards, no magic, no nymphs or elves or fairies. Fantasy is wonderful; this is not a rant against it. But let's let fantasy be fantasy, call a moose a moose, and give sci-fi its due.
The thing I find so thrilling about science fiction is exactly what Hubbard is referring to: it is possible. This doesn't mean that it's going to happen now or that it's going to happen at all, but the possibility of life on Mars or alien invasions or even the simplicity of space travel lifts my hope for the future. Sci-fi, when done well, is at its core inspirational.
Even Dystopian books within this genre possess that glimmer of hope. There is something about what human kind has or can create that propels a simple fiction tale into the ranks of pure sci-fi and gives the reader permission to dream, and dream big. Hey, we created a kind of energy that is consuming the Earth and we all have to find a new planet. WOW. My imagination is on fire with what that energy could be and where we could possibly go.
If done well a science fiction novel will include not only technology but psychology, anthropology and sociology; creating some of the most realistic and fleshed out cultures that have ever existed in fiction. The reason for this is the writer's commitment to describing the real and the possible. Once you've researched how a nuclear reactor works and figured out a way to make it propel a space craft, it's only natural to put the same effort and commitment into every aspect of the work.
The other door science fiction opens is for the author to explore issues of philosophy, religion and culture. Because technological advancement and cultural shifts are fundamentally tied - this is proven throughout history, but I think Celine will kill me if I start waxing poetical about that too - it is logical to think through the effects that the imagined technology will have on the people who live with it.
One of the most famous quotes from one of the best written sci-fi books is not about technology but about philosophy:
I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when my fear is gone I will turn and face fear's path, and only I will remain. - Dune
To further my point I want to take a moment to discuss three of the classic sci-fi novels I think show how broad a genre it can be, without losing its purity: Battlefield Earth, Dune, and Lilith's Brood.
- Battlefield Earth by L. Ron Hubbard is by far one of the best books I've ever read. Go ahead, laugh, you know you want to. Yes, he invented Scientology. No, I'm not a Scientologist. But yes he did write one of the best pure Science Fiction novels ever written. Hubbard's look into the year 3000 includes science so detailed I almost believed I could build it from his descriptions. He showed us a culture so torn apart it had mutated into something recognizable as human, but fundamentally different. He also introduced aliens whose customs and language were so clearly depicted they rose out of the confines of fiction and into the realm of possible.
- Dune by Frank Herbert takes us out of our modern time but also out of the comforts of what we consider religiously/morally/biologically possible. His science does not stop at hover-copters or galactic space travel; by introducing the concept of "Spice," sand worms and the culture of the "Fremen," Herbert is able to explore some of the fundamental questions of human existence. Who am I? Why am I here? What is my purpose?
Further in the series he explores questions of authority, government, multi-cultural conflicts and even addiction. Few books span across history and culture as completely as Dune. The science in many ways takes a back seat to the other issues discussed, but in spite of that, and I would propose because of it, Dune is a model of pure sci-fi.
- Lilith's Brood by Octavia Butler is one of the very few sci-fi books of this caliber written by a woman. And not just a woman, but a black woman in the 1970s. Lets all take a moment to recognize the immense achievement of that: she stood against race, gender and genre and wrote what she loved. And what she wrote blew my mind.
Lilith's Brood spans generations of humans from the first awoken from cryogenic sleep by aliens who rescued them from World War III to her youngest child, a hybrid between aliens and humans and the beginning of a whole new society. The science of the ship and biology of the alien race she introduces to her readers is unlike anything else I've read and so beautifully detailed it becomes real.
To Infinity and Beyond! Pav
I would like to thank Pavarti for this wonderful post!
(don't forget to leave her a comment and to visit her blog)
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